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  • November 15, 2011

    Jane Fonda's 1960s

    Jane Fonda's stage work in the late 1950s laid the foundation for her film career in the 1960s. She averaged almost two movies a year throughout the decade, starting in 1960 with Tall Story, in which she recreated one of her Broadway roles as a college cheerleader pursuing a basketball star, played by Anthony Perkins. Period of Adjustment and Walk on the Wild Side followed in 1962. In Walk on the Wild Side Fonda played a prostitute, and earned a Golden Globe for Most Promising Newcomer.
    In 1963 she appeared in Sunday in New York. Newsday called her "the loveliest and most gifted of all our new young actresses". However, she also had her detractors—in the same year, the Harvard Lampoon named her the "Year's Worst Actress". Fonda's career breakthrough came with Cat Ballou (1965), in which she played a schoolmarm turned outlaw. This comedy Western received five Oscar nominations and was one of the year's top ten films at the box office. It was considered by many to have been the film that brought Fonda to stardom at the age of twenty-eight. After this came the comedies Any Wednesday (1966) and Barefoot in the Park (1967), the latter co-starring Robert Redford.

    In 1968 she played the lead role in the science fiction spoof Barbarella, directed by her French film director husband Roger Vadim, which established her status as a sex symbol. In contrast, the tragedy They Shoot Horses, Don't They? (1969) won her critical acclaim, and she earned her first Oscar nomination for the role. Fonda was very selective by the end of the 1960s, turning down lead roles in Rosemary's Baby and Bonnie and Clyde.